Mostrando entradas con la etiqueta Pop. Mostrar todas las entradas
Mostrando entradas con la etiqueta Pop. Mostrar todas las entradas

domingo, 5 de diciembre de 2010

CEE LO GREEN "NO ONE'S GONNA LOVE YOU"





It's looking like a limb torn off
Or altogether just taken apart
We're reeling through an endless fall
We are the ever-living ghost of what once was

But no one is ever gonna love you more than I do
No one's gonna love you more than I do

And anything to make you smile
It's a better side of you to admire
But they should never take so long
Just to be over then back to another one

But no one is ever gonna love you more than I do
No one's gonna love you more than I do

Someone should have warned you
When things start splitting at the seams and now
The whole thing's tumbling down
Things start splitting at the seams and now
If things start splitting at the seams and now
It's tumbling down
Hard.

Did anything to make you smile
You are the ever-living ghost of what once was
I never want to hear you say
That you're better off
Or you liked it that way

'cause no one is ever gonna love you more than I do
No one's gonna love you more than I do

But they really should have warned you
When things start splitting at the seams and now
The whole thing's tumbling down
Things start splitting at the seams and now
If things start splitting at the seams and now
It's tumbling down
Hard


Cee Lo Green
No One's Gonna Love You
The Lady Killer
2010

miércoles, 15 de septiembre de 2010

Brandon Flowers GQ UK








Brandon Flowers talked to GQ UK magazine about his new solo album, touring with and without The Killers and more.

Why a solo album now and what's the status on the band:

"I've always written on the road and just tried to write as much as I can. It scares me, the thought of good songs getting passed up. I had kind of an explosion of ideas while we were touring for Day & Age. A combination of that and a couple of the guys were talking about how they wanted a pretty good break after this album. So it seemed like the perfect time to do it. I've said it before - I'd prefer that it was the Killers doing this. But I can't help that they want to have a break and I can't help that I want to do this. Everyone's looking into it but there's no wedge in the Killers. It's just they need a break and I can't blame them. We talk every now and then. Ronnie sends funny e-mails and stuff like that."

On touring behind the new album:

"I was with people who are pretty creative: producers and guys who aren't afraid to tell me, 'That sucks,' or, 'That's fantastic.' I'm excited [about touring alone], but a little bit nervous. I don't have the catalogue of Killers songs to support me but these new songs are solid. There's a song called 'Crossfire,' which I feel is as good as anything I've ever done."

His proudest musical achivement:

"Lyrically, there's a song on this album called 'From Nogales To Magdalena.' I feel like it's the best lyric I've ever written. It's really just strong when it comes to getting the story across. It's about a pilgrimage in Mexico that takes place every October, where people walk from Nogales to Magdalena. St Francis is going to grant them this thing that they're walking for, whether they're walking for forgiveness or to have a prayer answered or to keep their jobs so they can take care of their family."

Why "Flamingo":

"It's a very iconic image, for me and captures the mythology of Las Vegas. Flamingo was one of the first casinos that opened up. It's a very prominent road in Las Vegas, a road that I have gone down, up and down many times, many miles."

His solo heroes:

"People who have broken away from bands, or just in general? I like a lot of dudes. I've always loved David Bowie. I like Sting. Phil Collins."

On being humble:

"In the early days they tried to pin us as very arrogant. They were looking for a new Liam Gallagher and it didn't work out. I feel like now it's pretty positive, just in the people that I meet and come into contact with. It's a respect that we've kind of lasted, I guess. Outlasted all the hype and everything."

Having said that....:

"People say that bombastic magic happens when we play together, that there's something special about us four playing. I'm so close to it that I don't know."



Crossfire
Brandon Flowers
Flamingo
2010

lunes, 13 de septiembre de 2010

Happy Birthday Fiona Apple & "Parting Gift" Video

To celebrate Fiona's 33rd birthday I decided to post what I consider the sweetiest breakup ballad ever written.



I opened my eyes
While you were kissing me once more than once
And you looked as sincere as a dog
Just as sincere as a dog does,
When it's the food on your lips with which it's in love

I bet you could never tell
That I knew you didn't know me that well
It is my fault you see
You never learned that much from me

Oh you silly stupid pastime of mine
You were always good for a rhyme
And from the first, to the last time, the signs
Said 'Stop' - but we went on whole-hearted
It ended bad, but I love what we started
It said 'Stop' - but we went on whole-hearted
It ended bad, but I love what we started

I took off my glasses
While you were yelling at me once more than once
So as not to see you see me react
Should've put 'em, should've put 'em on again
So I could see you see me sincerely yelling back

I bet your fortressed face
Belied your fort of lace
It is by the grace of me
You never learned what I could see

Oh you silly stupid pastime of mine
You were always good for a rhyme
And from the first to all the last times, all the signs
Said 'Stop' - but we went on whole-hearted
It ended bad, but I love what we started
It said 'Stop' - but we went on whole-hearted
It ended bad, but I love what we started


Fiona Apple
Parting Gift
Extraordinary Machine
2005
Directed by Spencer Maggart (aka Fiona's half brother)

Fiona Apple McAfee Maggart, September 13, 1977

PS Day 13 out of 13.

domingo, 12 de septiembre de 2010

Fiona Apple "Sleep To Dream"





I tell you how I feel, but you don't care
I say tell me the truth, but you don't dare
You say love is a hell you cannot bear
And I say gimme mine back and then go there - for all I care

I got my feet on the ground
And I don't go to sleep to dream
You got your head in the clouds
And you're not at all what you seem
This mind, this body
And this voice cannot be stifled by your deviantways
So don't forget what I told you
Don't come around, I got my own hell toraise

I have never been so insulted in all my life
I could swallow the seas to wash down all this pride
First you run like a fool just to be at my side
And now you run like a food
But you just run to hide, and I can't abide

I got my feet on the ground
And I don't go to sleep to dream
You got your head in the clouds
And you're not at all what you seem
This mind, this body
And this voice cannot be stifled by your deviantways
So don't forget what I told you
Don't come around, I got my own hell toraise

Don't make it a big deal, don't be so sensitive
We're not playing a game anymore
You don't have to be so defensive
Don't you plead me your case, don't bother to explain
Don't even show me your face, ''cause it's a crying shame
Just go back to the rock from under which you came
Take the sorrow you gave and all the stakes you claim -
And don't forget the blame

I got my feet on the ground
And I don't go to sleep to dream
You got your head in the clouds
And you're not at all what you seem
This mind, this body
And this voice cannot be stifled by your deviantways
So don't forget what I told you
Don't come around, I got my own hell to raise


Sleep To Dream is the second single from Fiona's debut album Tidal (1996), and it was directed by french video and film auteur Stephane Sednoui.

In honor of today's MTV VIDEO MUSIC AWARDS I decided to post the second video from the 1997 MTV Video Music Awards, while accepting the 1997 MTV Video Music Award for "Best New Artist" for "Sleep to Dream," she proclaimed: "This world is bullshit, you shouldn't model your life on what you think that we think is cool, and what we're wearing and what we're saying, go with yourself" referring to the mainstream music industry. Host Chris Rock would comment on her speech later on during the program, saying, "That Fiona Apple was mad, huh? Fiona X was up here."
Though her comments were generally greeted with cheers and applause at the awards ceremony, the media backlash was immediate.

However, Apple was unapologetic: "I just had something on my mind and I just said it. And that's really the foreshadowing of my entire career and my entire life. When I have something to say, I'll say it." Stand-up comedian Denis Leary included a satire of this speech on his album, Lock 'n Load, titled "A Reading from the Book of Apple". Janeane Garofalo parodied Apple's comments in light of the fact that her video for "Criminal" seemed to reinforce the same celebrity fixation on weight and appearance that Apple condemned.
A while after that, both she and Janeane attended the same event, but instead of talking face to face with her the comedianne ignored Fiona all night, Apple responded to these criticisms in an article in Rolling Stone in January 1998
accepting her part of the blame but also by calli Garofalo "a cowardly bitch".


PS: Day 12 out of 13.

sábado, 11 de septiembre de 2010

Fiona Apple "Across The Universe" Video



Words are flowing out like endless rain into a paper cup,
They slither while they pass, they slip away across the universe
Pools of sorrow, waves of joy are drifting through my open mind,
Possessing and caressing me.
Jai guru de va om
Nothing's gonna change my world,
Nothing's gonna change my world.
Nothing's gonna change my world
Nothing's gonna change my world.

Images of broken light which dance before me like a million eyes,
That call me on and on across the universe,
Thoughts meander like a restless wind inside a letter box they
Tumble blindly as they make their way
Across the universe
Jai guru de va om
Nothing's gonna change my world,
Nothing's gonna change my world.
Nothing's gonna change my world.
Nothing's gonna change my world.

Sounds of laughter shades of earth are ringing
Through my open ears inciting and inviting me
Limitless undying love which shines around me like a
million suns, it calls me on and on
Across the universe
Jai guru de va om
Nothing's gonna change my world,
Nothing's gonna change my world.
Nothing's gonna change my world.
Nothing's gonna change my world.

Jai guru de va, jai guru de va
jai guru de va, jai guru de va
jai guru de va.

Jai guru de va, jai guru de va.


The video for Across The Universe is the first Fiona video directed by Paul Thomas Anderson, for the soundtrack of the movie Pleasantville, and of course the original is a Beatles song.

PS: Day 11 out of 13.

viernes, 10 de septiembre de 2010

Fiona Apple "Limp" Videos





You wanna make me sick;
You wanna lick my wounds,
Don't you, baby?
You want the badge of honor when you save my hide
But you're the one in the way
Of the day of doom, baby
If you need my shame to reclaim your pride
And when I think of it, my fingers turn to fists
I never did anything to you, man
But no matter what I try
You'll beat me with your bitter lies
So call me crazy, hold me down
Make me cry; got off now, baby-
It wont be long till you'll be
Lying limp in your own hand
You feed the beast I have within me
You wave the red flag, baby you make it run run run
Standing on the sidelines, waving and grinning
You fondle my trigger, then you blame my gun
And when I think of it, my fingers turn to fists
I never did anything to you, man
But no matter what I try
You'll beat me with your bitter lies
So call me crazy, hold me down
Make me cry; get off now, baby-
It wont be long till you'll be
Lying limp in your own hand


Limp was the second single from Fiona's second album "When The Pawn..."
the video was directed by Paul Thomas Anderson.

About working with Fiona on her videos PT Anderson said:

"While we like working together and obviously benefit from it, we're aware of the super-couple stigma. We are consciously "trying to keep a slightly low profile because we realize that we would hate us. We want to stick to the work. I wanted to direct Fiona Apple videos before I went out with Fiona, so generally what we do is do cool videos together and keep our mouths shut about them."


The second video is Fiona's performance of the song on Saturday Night Live on
Feb/19/00.

PS: Day 10 out of 13.

jueves, 9 de septiembre de 2010

Fiona Apple "Fast As You Can" Videos





I let the beast in too soon, I don't know how to live
Without my hand on his throat; I fight him always & still
O darling, it's so sweet, you think you know how crazy
-How crazy I am
You say you don't spook easy, you won't go, but I know
And I pray that you will
-Fast as you can, baby run-free yourself of me
Fast as you can
I may be soft in your palm but I'll soon grow
Hungry for a fight, and I will not let you win
My pretty mouth will frame the phrases that will
Disprove your faith in man
So if you catch me trying to find my way into your
Heart from under your skin
-Fast as you can, baby scratch me out, free yourself
Fast as you can
Fast as you can, baby scratch me out, free yourself
Fast as you can
Sometimes my mind don't shake and shift
But most of the time, it does
And I get to the place where I'm begging for a lift
Or I'll drown in the wonders and the was
And I'll be your girl, if you say it's a gift
And you give me some more of your drugs
Yeah, I'll be your pet, if you just tell me it's a gift
'cause I'm tired of whys, choking on whys,
Just need a little because, because
I let the beast in and then;
I even tried forgiving him, but it's too soon
So I'll fight again, again, again, again, again.
And for a little while more, I'll soar the
Uneven wind, complain and blame
The sterile land
But if you're getting any bright ideas, quiet dear
I'm blooming within
Fast as you can, baby wait watch me, I'll be out
Fast as I can, maybe late but at least about
Fast as you can leave me, let this thing
Run it's route
Fast as you can


Fast As You Can is the first single from Fiona Apple's second album "When The Pawn"
and was directed by her then boyfriend movie director/screen writter Paul Thomas Anderson.
The second video is a live performance of the song that was included in the dual disc version of Fiona's album Extraordinary Machine (2005), featuring Jon Brion and Nickel Creek' Chris Thile.

PS: Day 9 out of 13.

lunes, 6 de septiembre de 2010

Fiona & Zach








Fiona Apple met comedian Zach Galifianakis after one of her performances at Club Largo, when she saw a video he made for Anita Baker's "You Bring Me Joy",
Fiona liked it so much she decided to ask him to appear in the video for her song "Not About Love" from her album "Extraordinary Machine."
Later In June 2006 Galifianakis released the single "Come Over and Get It (Up in 'Dem Guts)", a comedic rap/hip-hop/dance song which features Fiona Apple's vocals.
The Last video is from an online "interview" for Myspace called Artist On Artist.

PS: Day 6 out of 13.

"Hands" Video The Ting Tings



The Ting Tings
Hands
Kunst
2010

sábado, 4 de septiembre de 2010

Fiona Apple - So Sleepy Video






"So Sleepy" Fiona Apple & Jon Brion from the album "Chickens In Love" to benefit the 826LA School students who not only hand-picked the artists for the album, but wrote the songs themselves.
Cute as a button, and I'm glad to hear fiona's voice is still in top form!!!

PS: Day 4 out of 13.

viernes, 3 de septiembre de 2010

Fiona Apple - Criminal Video



I've been a bad, bad girl
I've been careless with a delicate man
And its a sad, sad world
When a girl will break a boy
Just because she can
Don't you tell me to deny it
I've done wrong
And I want to suffer for my sins
I've come to you 'cause I need
Guidance to be true
And I just don't know where I can begin

What I need is a good defense
'Cause I'm feelin' like a criminal
And I need to redeemed
To the one I've sinned against
Because he's all I ever knew of love

Heaven help me for the way I am
Save me from these evil deeds
Before I get them done
I know tomorrow brings
The consequence at hand
But I keep livin' this day
Like the next will never come

Oh, help me
But don't tell me to deny it
I've got to cleanse myself of all these lies
'Till I'm good enough for him
I got a lot to lose, and I'm bettin' high
So I'm beggin' you:

Before it ends, just tell me where to begin

What I need is a good defense
'Cause I'm feelin' like a criminal
And I need to redeemed
To the one I've sinned against
Because he's all I ever knew of love

Let me know the way
Before there's hell to pay
Give me room to lay the law and let me go
I've got to make a play
To make my lover stay
So what would an angel say?
The devil wants to know

What I need is a good defense
'Cause I'm feelin' like a criminal
And I need to redeemed
To the one I've sinned against
Because he's all I ever knew of love

What I need is a good defense
'Cause I'm feelin' like a criminal
And I need to redeemed
To the one I've sinned against

Because he's all I ever knew of love

Criminal
Fiona Apple
Tidal
1996
Directed by Mark Romanek

Continuing with my lil Fiona celebration, the post for today is probably Fiona's best known video "Criminal"
directed by Mark Romanek, it brought Fiona not only aclaim but lots of controversy for its depiction of what many people compared to 70s like porn,
to all of them I say F.U.
the video looks great and Fiona looks a-mazing, and is also the song that made Fiona a Grammy Award winner in 1998 for Best Female Rock Performance,
Thank U
hahahaha

PS: Day 3 out of 13

jueves, 2 de septiembre de 2010

I Thought It Was A Bird, But It Was Just A Paper Bag



I was staring at the sky, just looking for a star
To pray on, or wish on, or something like that
I was having a sweet fix of a daydream of a boy
Whose reality I knew, was a hopeless to be had
But then the dove of hope began it's downward slope
And I believed for a moment that my chances
Were approaching to be grabbed
But as it came down near, so did a weary tear
-I thought it was a bird, but it was just a paper bag
-Hunger hurts, and I want him so bad, oh it kills
'cause I know I'm a mess he don't wanna clean up
I got to fold 'cause these hands are too shaky to hold
-Hunger hurts, but starving works, when it costs too much to love
And I went crazy again today, looking for a strand to climb
Looking for a little hope
Baby said he couldn't stay, wouldn't put his lips to mine,
And a fail to kiss is a fail to cope
I said, "Honey, I don't feel so good, don't feel justified
Come on put a little love here in my void,' - he said
"It's all in your head,' and I said, "So's everything' -
But he didn't get it - I thought he was a man
But he was just a little boy
-Hunger hurts, and I want him so bad, oh it kills
'cause I know I'm a mess he don't wanna clean up
I got to fold 'cause these hands are too shaky to hold
-Hunger hurts, but starving works, when it costs too much to love
-Hunger hurts, and I want him so bad, oh it kills
'cause I know I'm a mess he don't wanna clean up
I got to fold 'cause these hands are too shaky to hold
-Hunger hurts, but starving works, when it costs too much to love


Fiona Apple
Paper Bag
WHEN THE PAWN...
1999
Directed by Paul Thomas Anderson

Continuing with my Fiona Apple celebration I'm posting this video for the song
'Paper Bag', because not only is one of my favorite songs, is also one of my favorite videos.
A while ago I listened to an interview Fiona did exclusively for Itunes where she talked about how the story and title for this song is very literal,
because one day she was in a car with her dad, saw a plastic bag and thought it was a bird, of course being a vegan when she wrote the song she changed it to paper,
hahahahaha

PS: Day 2 out of 13.

miércoles, 1 de septiembre de 2010

"Hey Big Dog" Margaret Cho Featuring Fiona Apple & Ben Lee




Comedian Margaret Cho's brand new album, "Cho Dependent", featuring comedy songs she collaborated on with Ben Lee, Tegan and Sara, Fiona Apple, Brendan Benson, Jon Brion, Ani DiFranco, Tommy Chong, Grant Lee Phillips, Rachael Yamagata, AC Newman, Patty Griffin and Andrew Bird.


Here's the story behind this song and how she and Patty Griffin wrote it and how Fiona ended up collaborating in the song after her dog died:


My dearest wish is that humans and dogs could actually speak to each other and then the one next to that is that we could sing together. As I wrote the lyrics to this song, I sat with my big boy Ralph and imagined what he would say to me if he could speak, what he would sing to me if he could sing. I stared in his root beer eyes, as he cocked his butterscotch blonde eyebrows one then the other and tried to decipher his thoughts. He was a very large dog, intimidating to new people, but as gentle as a giant could be, with an irrational fear of the wind. Every time the Santa Anas would start their engines, Ralph could be found in the very bowels of the house, hiding far away from where the wind could find him. He absolutely hated the sound of the breeze slapping the trees together. He would shake and whine and salivate and refuse to be petted or held. I couldn’t understand it as much as he couldn’t understand why I checked my messages constantly – never hearing from the person I wanted to hear from – feeling destroyed by nothing at all. It was going to be a song about people problems versus dog problems, and the idea that maybe we could solve these problems together “Oooooooo-ooo! Oooooooo-oooo!”
I pulled out the words from out of my guitar case, weighted down by little Bean. I gave the dog warmed, wrinkled notes to Patty and she set them down in front of her. I left the room, returning moments later to Patty singing, “Ooooooo-ooo. Ooooooo-ooo!” and the song “Hey Big Dog” was born. We put on shawls and had dinner outside that night to celebrate. I played the song incessantly to practice, and had a rotating cast of dogs who would sing it with me at shows, sometimes Ian Harvie, sometimes John Roberts and sometimes Ben Lee.
I sang the song many times while Ralph was dying. I sat alongside him in his massive dog bed, his big body fighting the eventual, the inevitable. The comforting chords would elicit great sighs accompanied by stinky farts, which would make the whole room smell like a hot springs. Very relaxing.
When he died, the song moved from guitar to banjo, where it could sound truly mournful. I cried as I tried to sing it to myself alone and it didn’t make me feel better but it did make me lose my voice for what felt like a dog’s age. Some time after I had regained my voice, at Largo, Fiona Apple was in the audience. She loved the song instantly, and said to me that she had been thinking of a song like this, one she wanted to write about her dog – and she said – which is the ultimate compliment for any songwriter – “You sang it for me.” I had the perfect duet partner! Fiona’s dog was also irrationally afraid of the wind and we traded dog pictures and many dog stories in anticipation of recording. I love Fiona’s voice on this song, and Ben Lee’s pitch perfect production makes it sound like pure Nashville meets Animal Planet.
I hope that this song will become an anthem to animal lovers all over, and a blessing for them and their beloved pets. We are not alone in this world ever. We have them. The hardest thing for me when Ralph was gone was facing the fact that he was not there anymore, but this song made me realize that this was not true. Now, Ralph is everywhere. Fiona said, “He’s on the wind now. And now, the wind will always bring him back to you.” This is so true.






PS: The "video" was made by yours truly with just the album cover since there's no video for this song yet.


PS2: Day 1 out of 13.

Fiona Apple "O'Sailor" Video


I'm starting my "Let's celebrate Fiona Apple's birthday" by posting my all time favorite video,
O'Sailor, from her 3rd (and so far last) album Extraordinary Machine (2005), directed by
italian dynamo Floria Sigismondi.




I'm undecided about you again
Mightn't be right that you're not here
It's double-sided, cause I ruined it all-
But also saved myself, by never believing you, Dear
Everything good, I deem too good to be true
Everything else is just a bore
Everything I have to look forward to
Has a pretty painful and very imposing before
O' Sailor, why'd you do it
What'd you do that for
Saying there's nothing to it
And then letting it go by the boards
O' Sailor, why'd you do it
What'd you do that forSaying there's nothing to it
And then letting it go by the boards
I have too been playing with fifty-two cards-
Just cause I play so far from my vest
Whatever I've got, I've got no reason to guard
What could I do, but spend my best
O' Sailor, why'd you do it
What'd you do that for
Saying there's nothing to it
And then letting it go by the boards
O' Sailor, why'd you do it
What'd you do that for
Saying there's nothing to it
And then letting it go by the boards
And after waiting, fighting patiently on my knees
All the other stuff tired itself out first, not me
And in its wake, appeared the touch and call
Of a different breed
One who set to get me wise, and got me there
And then, got me
And what a thing, to know what could be instead
Oh, what a blessed curse; to see
It took the agenda from its place in my bed
Made a merry paramour of me
O' Sailor, why'd you do it
What'd you do that for
Saying there's nothing to it
And then letting it go by the boards
O' sailor, why'd you do it
What'd you do that for
Giving me eyes to view it
As it goes by the boards

PS: Day 1 out of 13.

martes, 31 de agosto de 2010

Robyn - Hyperballad Bjork Cover Video




Robyn performing Björk's Hyperballad from the album Post (1997)
at the Stockholm Concert Hall, Sweden, as part of the 19th annual Polar Music Prize ceremony, where Björk was being honored by His Majesty the King of Sweden.
Not only she did an amazin job at covering one of Björk's most iconic songs, but she also had to do it with Björk seating in first row, Bravo!!

viernes, 27 de agosto de 2010

Mary-Louise Parker Vanity Fair's Q&A




Hot Momma Mary-Louise Parker Does Not Smoke Weed, But She Has Licked a Pot Lollipop


I can recall the exact moment I fell in love with Mary-Louise Parker. It was during an Emmy roundtable last year hosted by The Hollywood Reporter, featuring Emmy-nominated actresses like Christina Applegate, Amy Poehler, Sarah Silverman, and of course Parker. She discussed her occasional guest stint on The West Wing, and how some devoted fans of the show made it very clear that they didn’t like her. “They probably have to fuck with the lights off,” she muttered about her detractors. And then her eyes widened and she covered her mouth, as if she’d momentarily forgotten she was on camera. It was snarky and crude and may’ve been pre-meditated, but it was also a refreshing contrast to the eyelash-batting “please love me” attitude of so many Hollywood actresses.

Mary-Louise Parker isn’t America’s sweetheart. She isn’t Julia Roberts or Drew Barrymore. She isn’t bubbly and effusive and adorable. She’s rough around the edges and a little surly, the kind of woman who could probably handle herself in a bar fight. (A real bar fight, not the movie kind with breakaway bottles.) And she isn’t just like that in real life. On her Showtime series Weeds – currently in its sixth season, which you can catch every Monday at 10 p.m. ET – she plays a widow named Nancy Botwin who sells marijuana to support her family and is involved in a messy relationship with a Mexican drug lord who shares her enthusiasm for rough sex. It’s a role she reportedly took over a plum gig on Desperate Housewives (which eventually went to Teri Hatcher), choosing Weeds because, in her words, “it was uglier.”

I called Parker to talk about the new season of Weeds, and our conversation was probably more awkward than it needed to be, for which I take full responsibility. I probably shouldn’t have tried quite so hard to impress her with my knowledge of marijuana minutiae. As it turns out, name-dropping “Alaskan Thunder Fuck” is not a foolproof way to win her heart.

Eric Spitznagel: You know how sometimes watching a TV show about food can make you hungry? Whenever I watch Weeds, it always makes me feel like I need to get stoned immediately.

Mary-Louise Parker: Yeah, so many people tell me that.

ES: Does the same thing happen for you? When you finish shooting an episode, do you feel an urge to light up a joint?

M-LP: I don’t do drugs, but I’m really suggestible. So I imagine if I did, that’s exactly what would happen. I’d be smoking all day long.

ES: Wait, you don’t smoke marijuana, or you’ve never smoked it?

M-LP: I’ve never smoked it.

ES: Wow. That’s like finding out Tommy Chong never touched the stuff. I feel so betrayed.

M-LP: I guess if it was going to happen, it would’ve happened when I was younger. But that was never an effective or interesting form of rebellion for me. Because everybody did it. Marijuana was just a social thing. It wasn’t dangerous or frowned upon. If I’d been popular in high school, I’m sure I would have wanted to do it. But I wasn’t.

ES: So you didn’t smoke pot because nobody was offering it to you?

M-LP: Oh no, it was definitely offered to me. All the time. I was hanging around a lot of musicians, so I definitely had access to drugs. It just never appealed to me. Everybody was doing it, and I didn’t want to be part of the crowd. There was no part of me that wanted to fit in.



ES: You should do a P.S.A. You’ve almost convinced me that pot is boring.

M-LP: Yeah, probably. But I’m not saying pot is a bad thing. I know plenty of people who should be smoking pot. I’m just not one of those people. I don’t think it would be the best drug for me. What am I going to do, start doing drugs at my age? It’s a little late. I’m a mother of two. It’s probably not the best idea for me to start getting into it now.

ES: Well, I know a few mothers who still partake.

M-LP: Yeah, I do too. They just wait until their kids are asleep. I don’t know, I guess marijuana just wasn’t made for me. It’s not like I haven’t tried.

ES: Wait, back up. I thought you never smoked?

M-LP: I didn’t smoke, it was a lollipop.

ES: There is so much about that sentence I don’t understand.

M-LP: O.K., here’s what happened. I was at a party, and I’d been kind of sick recently. I was in the hospital and on some really heavy antibiotics. But I went to this party anyway, and I was in the bathroom the whole night, on the floor. I was just so ill. Somebody at the party was like, “The only thing that’s going to help your nausea is marijuana.” And I’m like, “I don’t have any!” But then I remembered, somebody had given me a pot lollipop.

ES: A lollipop made with THC?

M-LP: Yeah. We did something about pot lollipops on Weeds. But those were props, obviously. Then somebody gave me some real ones. People give me pot all the time. I put them up in my closet, on the very, very top shelf, where I keep all my shoes, just so my kids wouldn’t find them. I don’t need that.

ES: Why did you keep them at all?

M-LP: I guess I thought … I don’t know. Maybe I’d have guests over to the house and they’d want to … ? I have no clue what I thought I was going to do with them.

ES: You weren’t a little bit curious?

M-LP: A little, yeah. My entire life, I never wanted anything to do with marijuana, but then it became a thing. You know what I mean? “I don’t smoke pot.” That was my thing. So when I was sick, I was like, “What the hell?” I was actually kind of excited about it. I was like, “Oh my god, I’m 45 and I’m having my first pot experience!” But it did nothing.

ES: You didn’t feel high?

M-LP: I didn’t feel anything! I mean, I still felt ill, but I didn’t get any of the happy effects you’re supposed to have. I don’t know, maybe the lollipops went bad? Does pot have an expiration date?

ES: Are you sure you were doing it right? I wouldn’t even know what to do with a pot lollipop. Do you lick it or light it?

M-LP: I licked it. But somebody told me that you need to eat it. Somebody quite famous who grows his own, he told me I should be eating it. But at this point, I feel like “Why bother?” I gave it a shot, it didn’t work. I’m over it.

ES: It’s not for lack of opportunities. You said people give you pot all the time?

M-LP: They do, yeah.

ES: Is it just bags of weed, or do they make you bouquets out of marijuana leaves?

M-LP: I’ve gotten a little of everything. But I usually don’t keep it. Sometimes I give it away to friends who smoke. Or I just thank them and walk away and leave it on a table.

ES: I guess you’ve gotten off easy. They could be inviting you over to their house to hang out and pass around the bong. Better they just give you pot than try to be your friend.

M-LP: That’s true. Although I did once marry a stoned couple.

ES: You officiated a wedding? Is that legally binding?

M-LP: Not at all. But they were so stoned, I don’t think they cared. It was a cameraman for the Stony Awards and his girlfriend. I’d won a Stony Award for best actress—my second year winning it, by the way. They never did give me another trophy. I wonder if they were too high and just forgot to make them. It’s a great trophy. It’s a big glass bong that’s actually bigger than my Emmy [for Angels in America]. Anyway, I couldn’t make it to the ceremony, so they sent a camera guy over to tape my acceptance speech. And afterwards, he asked me if I’d marry him to his girlfriend.

ES: Right then and there?

M-LP: Right there. I had no idea what to do. I was like, “You want me to give a speech or something.? For real?” So I just came up with something off the top of my head. I said, “Well … you’re both really hot and you both have nice hair. I hope you’re together forever.”

ES: That’s poetry, Mary-Louise.

M-LP: I meant it, too. Their hair was very silky and beautiful. And I honestly do hope they’re still together. They were so adorable.

ES: Over the last few seasons of Weeds, we’ve learned that Nancy likes her sex a little freaky. She wants a lover who isn’t shy with the slapping and the spanking. Is that something you can relate to at all?

M-LP: I think for her, sexuality is something that she wields. And she needs sex to be somewhat punitive. You know what I mean?

ES: It has to feel like punishment?

M-LP: Yeah, in a way. I think a lot of people have so much guilt wrapped up in sex, so they almost can’t tell the difference. There’s a scene we did for this season that gets pretty explicit. It was just supposed to be sex in a bar, but I really wanted it to be almost abusive. Because I think she needs it that way. And that’s really informative. If you just see two people fucking on screen, it’s not necessarily revealing about those characters. But if it’s coming from a particular point of view, that’s when I think it gets interesting.

ES: There’s a line in the trailer for this season, in which you joke about going down on Linda Hamilton. Is that…? (Long pause.) I don’t know where I’m going with this question.

M-LP: (Laughs.) Take your time.

ES: If I can steal a line from Tina Fey, I want to go to there.

M-LP: Yeah, yeah, I hear you. But no, that’s not happening. It’s just something they put in the trailer because it’s funny, but it doesn’t actually happen. It’s not a bad idea though. I’ve always thought that Nancy should have sex with a woman. It’d be good for her.

ES: Would it help if we started a letter-writing campaign?

M-LP: Like a grassroots sort of thing? Yeah, we should do it. “People In Support of Nancy Botwin Embracing Lesbianism.” Right on.

ES: You’ve been called a “thinking man’s sex symbol.” Does that mean dumb people don’t find you sexy?

M-LP: I guess so. Dumb people don’t want to fuck me. (Laughs.) I really don’t know what to say. “Thinking man’s sex symbol.” What do you suppose that means?

ES: I’m not sure. When you get approached by male fans, are they usually neurosurgeons or college professors?

M-LP: Not really, no. And thank god. I couldn’t even have a conversation with a neurosurgeon. I wouldn’t know what to say. I think that’s probably not an accurate way to describe me. Plenty of dumb people want to fuck me.

Oh god, that’s not going to play well in print, is it?

ES: I think it’s great. What are you worried about, offending dumb people?

M-LP: Yeah, I could be alienating the dumb people who want to fuck me. I’m just happy that anybody considers me a sex symbol at all. It does not cause me any amount of grief to be objectified in any way. I welcome it.

ES: If your fans can’t be categorized in terms of intelligence, how would you describe them? Are they a certain age or social class or demographic? When you’re approached in the street, what’s the common denominator?

M-LP: I never know why people come up to me. I think a lot of them just get super-excited because they recognize me from TV but they don’t remember where. It’s not like they’re necessarily happy to see me, you know?

ES: You’re just the lady from the talking picture box.

M-LP: Yeah, exactly. I think it’s a little dangerous if you overvalue that kind of attention. My son has recently started to notice it. One time a lady came running up to me in the street and said, “I love you! I love you so much!” And my son asked me later, “Why did that stranger say she loved you?” That’s a very hard question to answer.

ES: How do you explain it? “The world is full of lonely freaks?”

M-LP: I just said, “She was being hyperbolic, honey. Sometimes when people see someone from television, they feel like that person has come to life and they’re not just inside the TV box. They get very excited and don’t understand personal boundaries.”

ES: And sometimes they like to give mommy pot brownies.

M-LP: Precisely. But thankfully, they haven’t really done that in view of my children. Although my kids have started to hear about it. They know that my character on Weeds does something with drugs. So now I get questions like, “What are drugs?” And I’m like, “Well, it’s something that … people do.” It’s so hard! Sometimes it’s just easier to say, “She does things that are really, really naughty.” Kids love to hear that. “Oooh, like what?”

ES: Well, like sometimes she has unprotected sex with Mexican mobsters and ends up having their baby.

M-LP: That’s right. And sometimes men spank her in the back of limousines.

ES: Jennifer Aniston got some flack recently from Bill O’Reilly because she said it’s O.K. to be a single mother. O’Reilly went so far as to call her opinions “destructive to society.” I’m pretty sure I know the answer to this already, but as a single mother who plays a single mother on TV, do you disagree?

M-LP: I don’t even know what you’re talking about. Why is being a single mother destructive?

ES: I’m not sure I follow his argument. Something about the nuclear family and fathers being disrespected.

M-LP: Give me a break. He sounds like an idiot. Who is he again?

ES: He’s got a show on Fox News.

M-LP: That’s the right-wing channel? Well, there you go. Maybe he’s right, I don’t know. I don’t think you necessarily have to be part of a traditional nuclear family to be a good mother. A lot of children from traditional nuclear families have really unhappy childhoods, and they have dysfunctional, distant parents who don’t pay attention to them. Also, some people don’t plan on being single parents. It’s not like you’re sitting at home and thinking, “Wow, I’d really like to do this by myself. I’d love to wake up six times a night and change diapers and have nobody to help me. That’d be great!” I certainly didn’t do that.

ES: So you’re not buying O’Reilly’s theory that single mothers are destroying the fabric of society?

M-LP: I think that opinion is pretty narrow-minded. People like him—and I don’t even know who he is, so this is just a guess—they usually just say shit like that for attention. He probably comes from a nuclear family and didn’t get enough attention as a child.

miércoles, 25 de agosto de 2010

Terrible Things April Smith And The Great Picture Show



If you dig under my feet
you will find things that you don’t want to see
Things that I hide deep down inside
a menagerie of the tragedy I caused and all of my flaws
and my demons are all that can see
then what would you do …if you only knew

[chorus]

All of the things that I’ve done
Terrible things you would never believe
Things that I’ve doneOh how you’ll run
if you knew a single one
All of the things that I’ve done
Would my face give me away
I know it wont
cause I don’t even feel
I just reflect what you expect
so you don’t suspect that…I could be exactly who I am

[chorus]

I know that I’m inflected
but who could have predicted
that monster that I’ve becomeI keep things carefully covered
so no one will discover
that I could be the culprit
I’m sorry i cant help it

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Terrible Things
April Smith And The Great Picture Show
Songs For A Sinking Ship
Pop/Indie
2010
PS: I heard this song on the promo for Weeds sixth season, but here's the whole song!